Music And International History In The Twentieth Century

Author: Jessica C. E. Gienow-Hecht
Publisher: Berghahn Books
ISBN: 1782385010
File Size: 63,63 MB
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Bringing together scholars from the fields of musicology and international history, this book investigates the significance of music to foreign relations, and how it affected the interaction of nations since the late 19th century. For more than a century, both state and non-state actors have sought to employ sound and harmony to influence allies and enemies, resolve conflicts, and export their own culture around the world. This book asks how we can understand music as an instrument of power and influence, and how the cultural encounters fostered by music changes our ideas about international history.

Culture And International History

Author: Jessica C. E. Gienow-Hecht
Publisher: Berghahn Books
ISBN: 9781571813831
File Size: 17,16 MB
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Combining the perspectives of 18 international scholars from Europe and the United States with a critical discussion of the role of culture in international relations, this volume introduces recent trends in the study of Culture and International History. It systematically explores the cultural dimension of international history, mapping existing approaches and conceptual lenses for the study of cultural factors and thus hopes to sharpen the awareness for the cultural approach to international history among both American and non-American scholars. The first part provides a methodological introduction, explores the cultural underpinnings of foreign policy, and the role of culture in international affairs by reviewing the historiography and examining the meaning of the word culture in the context of foreign relations. In the second part, contributors analyze culture as a tool of foreign policy. They demonstrate how culture was instrumentalized for diplomatic goals and purposes in different historical periods and world regions. The essays in the third part expand the state-centered view and retrace informal cultural relations among nations and peoples. This exploration of non-state cultural interaction focuses on the role of science, art, religion, and tourism. The fourth part collects the findings and arguments of part one, two, and three to define a roadmap for further scholarly inquiry. A group of" commentators" survey the preceding essays, place them into a larger research context, and address the question "Where do we go from here?" The last and fifth part presents a selection of primary sources along with individual comments highlighting a new genre of resources scholars interested in culture and international relations can consult.

The First Resort Of Kings

Author: Richard T. Arndt
Publisher: Potomac Books, Inc.
ISBN: 1574885871
File Size: 16,28 MB
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A landmark study of the most-neglected tool of U.S. foreign policy

America S Ocean Wilderness

Author: Gary Kroll
Publisher:
ISBN:
File Size: 80,89 MB
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Examines a handful of famous ocean explorers and naturalists--including Jacque Cousteau, Thor Heyerdahl, and Rachel Carson, among others--to demonstrate how their work helped shape the way many Americans would think about, and interact with, the ocean.

Culture And International History

Author: Jessica C. E. Gienow-Hecht
Publisher: Berghahn Books
ISBN: 9781571813831
File Size: 36,82 MB
Format: PDF, ePub, Mobi
Read: 6879
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Combining the perspectives of 18 international scholars from Europe and the United States with a critical discussion of the role of culture in international relations, this volume introduces recent trends in the study of Culture and International History. It systematically explores the cultural dimension of international history, mapping existing approaches and conceptual lenses for the study of cultural factors and thus hopes to sharpen the awareness for the cultural approach to international history among both American and non-American scholars. The first part provides a methodological introduction, explores the cultural underpinnings of foreign policy, and the role of culture in international affairs by reviewing the historiography and examining the meaning of the word culture in the context of foreign relations. In the second part, contributors analyze culture as a tool of foreign policy. They demonstrate how culture was instrumentalized for diplomatic goals and purposes in different historical periods and world regions. The essays in the third part expand the state-centered view and retrace informal cultural relations among nations and peoples. This exploration of non-state cultural interaction focuses on the role of science, art, religion, and tourism. The fourth part collects the findings and arguments of part one, two, and three to define a roadmap for further scholarly inquiry. A group of" commentators" survey the preceding essays, place them into a larger research context, and address the question "Where do we go from here?" The last and fifth part presents a selection of primary sources along with individual comments highlighting a new genre of resources scholars interested in culture and international relations can consult.

Uproot

Author: Jace Clayton
Publisher: FSG Originals
ISBN: 0374708843
File Size: 11,45 MB
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In 2001, Jace Clayton was an amateur DJ who recorded a three-turntable, sixty-minute mix called Gold Teeth Thiefand put it online to share with his friends. Within months, the mix became an international calling card, whisking Clayton away to a sprawling, multitiered nightclub in Zagreb, a tiny gallery in Osaka, a former brothel in São Paolo, and the atrium of MoMA. And just as the music world made its fitful, uncertain transition from analog to digital, Clayton found himself on the front lines of an education in the creative upheavals of art production in the twenty-first-century globalized world. Uproot is a guided tour of this newly opened cultural space, mapped with both his own experiences and his relationships with other industry game-changers such as M.I.A. and Pirate Bay. With humor, insight, and expertise, Clayton illuminates the connections between a Congolese hotel band and the indie rock scene, Mexican surfers and Israeli techno, Japanese record collectors and hidden rain-forest treasure, and offers an unparalleled understanding of music in a digital age. Uproot takes readers behind the turntable decks to tell a story that only a DJ--and writer--of this caliber can tell.

Searching For A Cultural Diplomacy

Author: Jessica C. E. Gienow-Hecht
Publisher: Berghahn Books
ISBN: 1782380809
File Size: 40,73 MB
Format: PDF
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Recent studies on the meaning of cultural diplomacy in the twentieth century often focus on the United States and the Cold War, based on the premise that cultural diplomacy was a key instrument of foreign policy in the nation’s effort to contain the Soviet Union. As a result, the term “cultural diplomacy” has become one-dimensional, linked to political manipulation and subordination and relegated to the margin of diplomatic interactions. This volume explores the significance of cultural diplomacy in regions other than the United States or “western” countries, that is, regions that have been neglected by scholars so far—Eastern Europe, Asia, and the Middle East. By examining cultural diplomacy in these regions, the contributors show that the function of information and exchange programs differs considerably from area to area depending on historical circumstances and, even more importantly, on the cultural mindsets of the individuals involved.

The Rest Is Noise

Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 9781429932882
File Size: 19,65 MB
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The scandal over modern music has not died down. While paintings by Pablo Picasso and Jackson Pollock sell for a hundred million dollars or more, shocking musical works from Stravinsky's Rite of Spring onward still send ripples of unease through audiences. At the same time, the influence of modern music can be felt everywhere. Avant-garde sounds populate the soundtracks of Hollywood thrillers. Minimalist music has had a huge effect on rock, pop, and dance music from the Velvet Underground onward. Alex Ross, the brilliant music critic for The New Yorker, shines a bright light on this secret world, and shows how it has pervaded every corner of twentieth century life. The Rest Is Noise takes the reader inside the labyrinth of modern sound. It tells of maverick personalities who have resisted the cult of the classical past, struggled against the indifference of a wide public, and defied the will of dictators. Whether they have charmed audiences with the purest beauty or battered them with the purest noise, composers have always been exuberantly of the present, defying the stereotype of classical music as a dying art. Ross, in this sweeping and dramatic narrative, takes us from Vienna before the First World War to Paris in the twenties, from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies. We follow the rise of mass culture and mass politics, of dramatic new technologies, of hot and cold wars, of experiments, revolutions, riots, and friendships forged and broken. In the tradition of Simon Schama's The Embarrassment of Riches and Louis Menand's The Metaphysical Club, the end result is not so much a history of twentieth-century music as a history of the twentieth century through its music.

Amatory Pleasures

Author: Julie Peakman
Publisher: Bloomsbury Publishing
ISBN: 1474226450
File Size: 37,91 MB
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Encompassing the long 18th century, Amatory Pleasures examines a broad and enticing variety of topics in the history of sexuality in Georgian times. It includes discussion of sexual perversion, criminal conversation, erotic gardens, gentlemen's homosocial societies, flagellation, pornography, writings of courtesans and the world of female friendship, revealing the secret or hidden meanings circulating between mainstream and covert activities of the 18th century. Julie Peakman draws connections between these pieces and situates them within current debates and examines how Georgian sexual activity was integrated from low life and high places, from brothels to palaces. Aimed at anyone interested in gender, history of sexuality, sex, literature and 18th-century history, Amatory Pleasures is an invaluable collection of the work of a key scholar in the field.

Anti Americanism In Latin America And The Caribbean

Author: Alan McPherson
Publisher: Berghahn Books
ISBN: 9780857456953
File Size: 27,48 MB
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Whether rising up from fiery leaders such as Venezuela's Hugo Chavez and Cuba's Fidel Castro or from angry masses of Brazilian workers and Mexican peasants, anti U.S. sentiment in Latin America and the Caribbean today is arguably stronger than ever. It is also a threat to U.S. leadership in the hemisphere and the world. Where has this resentment come from? Has it arisen naturally from imperialism and globalization, from economic and social frustrations? Has it served opportunistic politicians? Does Latin America have its own style of anti Americanism? What about national variations? How does cultural anti Americanism affect politics, and vice versa? What roles have religion, literature, or cartoons played in whipping up sentiment against 'el yanqui'? Finally, how has the United States reacted to all this? This book brings leaders in the field of U.S. Latin American relations together with the most promising young scholars to shed historical light on the present implications of hostility to the United States in Latin America and the Caribbean. In essays that carry the reader from Revolutionary Mexico to Peronist Argentina, from Panama in the nineteenth century to the West Indies' mid century independence movement, and from Colombian drug runners to liberation theologists, the authors unearth little known campaigns of resistance and probe deeper into episodes we thought we knew well. They argue that, for well over a century, identifying the United States as the enemy has rung true to Latin Americans and has translated into compelling political strategies. Combining history with political and cultural analysis, this collection breaks the mold of traditional diplomatic history by seeing anti Americanism through the eyes of those who expressed it. It makes clear that anti Americanism, far from being a post 9/11 buzzword, is rather a real force that casts a long shadow over U.S. Latin American relations.